Originally, the art of playing Matka, another name for Gharha, had begun in Punjab, but eventually, the art found its way to the heart of the state of Thar Desert and had become an inevitable part of its folk culture. A similar art is prominent in southern India as well. The instrument is called Ghatam there, and it constitutes a significant part of the Carnatic music system. The Ghatams, here, are often used in multiple numbers, with each Ghatam producing varying sound based on its thickness.
In Rajasthan, however, just one pot is used, and to serve the purpose of creating variations, players would change the place where they would strike the pot. From the neck to the base, a professionally crafted Gharha is capable of producing dulcet tunes of varying pitches. The hollow of the pot works as an amplifier, and the resultant music is simply divine.
Another method is gaining popularity in the playing of a Gharha by using a thick canvas fabric.The fabric used for the purpose is a thick canvas, which is tied around the mouth of the earthen pot stiffly. It creates a rigid yet flexible surface onto the pot, on which a player can create rhythmic tunes using the thrumming movement of his/her fingers.